About the work Sudarium
The name Sudarium comes from the Latin term for a sweat cloth used for wiping the face in Ancient Roman court ceremony. In the Christian tradition, such an item has evolved into a relic, an object and image of veneration, an apparition of the divine in human sweat.
The straw mat is like a symbolic hearth in Vietnamese society, the place around which the family gathers for daily meals, weddings, death anniversaries, naps. Upon it, day after day from repeated use, the sweat and the weight of the body is imprinted. This triptych is not only a representational image of a worn and battered straw mat, but rather it is like a physical fossil of its existence. Vietnamese natural lacquer (son ta) lacquer here becomes the ground onto which the history of the object is physically imprinted and graphically recorded. The texture of the mat at a distance looks like some lost ancient script. In her work, Phi Phi explores lacquer painting not only as a medium, but as a material signifier of the history ideological changes in Vietnam.
Photo courtesy of Fost Gallery, Singapore
Sudarium
Lacquer on wood
35cm x 57cm x 2cm / each, triptych
Hanoi, 2017
Sudarium Series, “Solus”, painting of a single straw mat, Central Vietnam
Son ta lacquer painting on wood board
122cmx244cmx5cm
Sudarium Series, Diptych, painting of discarded mat from a former construction site, central Vietnam
LACQUER DIPTYCH - Son ta lacquer on wood panel
176.5 x 225 cm
Sudarium Series, Ba Đình dấu cũ, hội nước là đây, painting of discarded mat from nhà Anh Dũng
LACQUER DIPTYCH - Son ta lacquer on wood panel
7mx 1.8m (total three works)
Sudarium Series, Orbis, painting of a family mat from the home on Nhật Chiêu St.
Son ta lacquer on wood panel, nacre inlay
H162.6 x W201 x D4 cm (diptych)
2017